The Nook’s Chronicle




“Curiosity is, in great and generous minds,
the first passion and the last.”

— Samuel Johnson





  • Prose’s Voice




The Word Of The Day

Triage

/ˈtriː.ɑːʒ/ (UK),
/ˈtriː.ɑːʒ/ or /triˈɑːʒ/ (US)

Origin:


From French triage, meaning “sorting,” from trier, “to sort”; its medical sense developed from military casualty assessment.

Definition:


The process of assessing ill or injured people to determine how urgently they need treatment, so that the most serious cases can be treated first.

Example:


“The nurse carried out triage before directing the patient to the emergency department.”


Yesterday’s
Acute ›

Today’s
Triage ›

The Other Day’s
Chronic ›

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What Happened On This Day?

On September 18, 1905



The Storyteller Who Opened the Door to Modern Fantasy


On this day — September 18, 1905 — George MacDonald died at Ashtead, Surrey, aged eighty. Born in Huntly, Aberdeenshire, MacDonald had spent a long life as a minister, poet, novelist, lecturer, essayist, and storyteller, but his most enduring influence lies in the development of modern fantasy. His name may now be less immediately familiar than those of writers who followed him, yet the path from the nineteenth-century literary fairy tale to twentieth-century fantasy repeatedly passes through his work.

In Phantastes, The Princess and the Goblin, The Princess and Curdie, and stories such as The Golden Key, MacDonald treated fantasy as more than entertainment or moral instruction disguised for children. Dreams, underground worlds, mysterious women, shadows, journeys, transformations, and impossible landscapes became ways of exploring fear, goodness, desire, death, spiritual growth, and the limits of reason. His influence travelled remarkably far. C. S. Lewis acknowledged him as a major imaginative influence, while J. R. R. Tolkien engaged seriously with his fairy stories, even though his later assessment of MacDonald was decidedly mixed. MacDonald’s friendship with Lewis Carroll mattered too: the enthusiastic response of the MacDonald children to Carroll’s tale of Alice helped encourage the development and publication of Alice’s Adventures in Wonderland.

MacDonald’s importance lies partly in demonstrating that the impossible could carry serious imaginative weight. A fairy tale did not have to explain itself away as allegory, realism, or childish diversion; its strangeness could be part of how it reached truths ordinary description could not. That idea became fundamental to the fantasy tradition that followed him. On this day, his work reminds us that MacDonald did not invent fantasy—but he helped English literature recognise that entering an impossible world could be a serious way of thinking about the real one.


A Bit Further Back…

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