
A Thought for the Road
“Curiosity is, in great and generous minds,
the first passion and the last.”
— Samuel Johnson
—
Curiosity does more than lead us somewhere new.
It keeps the familiar
from ever becoming entirely finished.
Short Stories and Latest Nooks
From the Shelves & Fresh Ink
A young wanderer climbs into the mountains searching for a path—or perhaps for something harder to name. Near the ridge, an unexpected encounter makes him stop and reconsider what, exactly, he has been looking for.
The Word Of The Day
/ˌkɒn.vəˈles.əns/ (UK), /ˌkɑːn.vəˈles.əns/ (US)
Origin:
From French convalescence, from Latin convalescere, meaning “to regain health” or “grow strong.”
Definition:
The period or process of recovering health and strength after an illness or medical operation.
Example:
“She spent several quiet weeks at home during her convalescence.”
What Happened On This Day?

On this day — September 25, 1897 — William Faulkner was born in New Albany, Mississippi. His family moved to Oxford while he was still a child, and the surrounding region would eventually provide the raw material for one of the most extraordinary acts of world-building in twentieth-century literature. Faulkner did not need another planet. He invented a county: Yoknapatawpha, an imaginary territory populated by families whose histories intersect, decay, repeat themselves, and refuse to remain safely in the past.
Across The Sound and the Fury, As I Lay Dying, Light in August, Absalom, Absalom! and other works, Faulkner returned repeatedly to this invented Mississippi landscape to examine the history and mythology of the American South. Slavery and its aftermath, racism, class, family, land, violence, sexuality, pride, defeat, guilt, and inheritance accumulate across generations. The geography may be fictional, but the historical forces underneath it are not. Characters remember the same events differently, conceal what others reveal, and inherit consequences from people who died before they were born. In Faulkner’s world, the past is not background; it remains an active force inside the present.
Faulkner transformed English prose to make that burden of memory audible. Long, winding sentences, shifting narrators, fractured chronology, interior monologue, regional speech, and competing perspectives force readers to reconstruct events rather than receive them neatly arranged. His difficulty is therefore often part of the meaning: consciousness and history do not unfold in orderly lines. His influence on later writers around the world would be immense. On this day, Faulkner’s work reminds us that world-building need not mean escaping reality. Sometimes a writer invents a place precisely to confront reality more completely. The county was imaginary. The history underneath it was not.
Death of R. S. Thomas (1913–2000) – The Welsh Voice in English Poetry ›

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