
Certainty is thinner than it appears. Sometimes the mind only has to shift for the whole world to change with it. Darkness does not make the light disappear. Sometimes it simply makes us more aware of where to look. Some journeys end where they began. The traveller does not. A Thought for the Road
“All that we see or seem
Is but a dream within a dream.”“We are all in the gutter, but some of us are looking at the stars.”
“A sadder and a wiser man,
He rose the morrow morn.”
Short Stories and Latest Nooks
From the Shelves & Fresh Ink
Some writers leave behind more than books. Their names become adjectives — Kafkaesque, Orwellian, Dickensian, Byronic, Proustian — carrying whole worlds, moods and ways of seeing into everyday English.
The Word Of The Day
/məˈkɑː.brə/ (UK), /məˈkɑː.brə/ or /məˈkɑːb/ (US)
Origin:
From French macabre, especially in Danse Macabre, meaning “dance of death”; its ultimate origin is uncertain.
Definition:
Grim, disturbing, or frightening because of an association with death or other horrifying subjects.
Example:
“The abandoned chapel contained a macabre collection of portraits and funerary relics.”
What Happened On This Day?

On this day — October 19, 1745 — Jonathan Swift died in Dublin at the age of seventy-seven. Born in the same city in 1667, Swift became one of the greatest satirists in English literature, a writer whose sharpest attacks often arrived disguised as perfectly reasonable arguments. He understood that vanity, cruelty, political corruption, and intellectual foolishness rarely announce themselves openly. Instead, they borrow the language of common sense, morality, progress, and public benefit. Swift’s genius lay in imitating those voices so convincingly that their contradictions eventually exposed themselves. He did not merely ridicule absurdity. He allowed absurdity to explain itself.
In Gulliver’s Travels, published exactly three hundred years ago in 1726, Swift used imaginary voyages to examine the very real weaknesses of human civilisation. The tiny inhabitants of Lilliput transform political rivalries into ridiculous spectacles, while the supposedly rational Houyhnhnms raise unsettling questions about reason, humanity, and moral superiority. In A Modest Proposal (1729), Swift adopted the calm, calculating voice of an economic reformer to suggest an appalling solution to Irish poverty, exposing the cruelty that can hide beneath apparently practical language. His technique depended upon irony, understatement, exaggeration, and the deliberate distance between what a narrator says and what the reader is meant to understand. The more confidently his speakers reason, the more disturbing their assumptions become.
Swift helped establish satire as one of the most powerful instruments of English prose, demonstrating that a writer could challenge authority without always speaking directly against it. His influence extends through political commentary, literary fiction, journalism, and the modern tradition of exposing dangerous ideas by following their logic to uncomfortable conclusions. Even the word Yahoo, taken from Gulliver’s Travels, entered English as a term for a crude or uncivilised person. Three centuries after Gulliver first set sail, Swift’s methods remain remarkably effective because the habits he examined have hardly disappeared. He understood that the most dangerous absurdities are often those expressed in the most reasonable language—and that sometimes the clearest way to reveal a lie is to let it finish speaking.
Birth of John le Carré (1931–2020) – The Chronicler of Betrayal and Moral Ambiguity ›

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