
Certainty is thinner than it appears. Sometimes the mind only has to shift for the whole world to change with it. Darkness does not make the light disappear. Sometimes it simply makes us more aware of where to look. Some journeys end where they began. The traveller does not. A Thought for the Road
“All that we see or seem
Is but a dream within a dream.”“We are all in the gutter, but some of us are looking at the stars.”
“A sadder and a wiser man,
He rose the morrow morn.”
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The Word Of The Day
/ˈtrem.ə(r)/ (UK), /ˈtrem.ɚ/ (US)
Origin:
From Old French tremor, from Latin tremor, meaning “trembling,” from tremere, “to tremble.”
Definition:
A slight involuntary shaking movement of the body; also, a small earthquake or a trembling caused by fear or excitement.
Example:
“A faint tremor passed through his hands as the fever worsened.”
What Happened On This Day?

On this day — October 4, 1835 — Mary Elizabeth Braddon was born in London. She would become one of the most commercially successful novelists of Victorian Britain and a defining writer of sensation fiction, a genre that discovered something particularly disturbing about respectable domestic life: the danger need not come from somewhere distant. Crime, deception, concealed identities, disputed inheritances, bigamy, and madness might already be sitting comfortably in the drawing room.
Her breakthrough, Lady Audley’s Secret, turned that possibility into enormously popular fiction. Its beautiful and apparently charming heroine inhabits the familiar world of the Victorian country house, yet the stability surrounding her depends upon secrets and reinvention. Braddon used suspense not merely to entertain but to probe the precariousness of identity, marriage, class, gender, and respectability. If a woman could change her name, construct another history, cross social boundaries, and manipulate the assumptions made about her appearance, then apparently fixed Victorian categories became considerably less secure.
Braddon’s importance lies partly in bringing Gothic unease into the recognisable spaces of contemporary life. The locked chamber and ancestral curse could give way to the marriage certificate, railway journey, newspaper notice, missing person, or carefully managed reputation. Like her contemporary Wilkie Collins, she helped make English domestic fiction suspicious of its own surfaces. Mary Elizabeth Braddon understood that the frightening secret did not have to haunt an ancient castle. Sometimes it only needed a respectable house—and curtains thick enough to keep the neighbours from seeing inside.
Birth of Anne Rice (1941–2021) – The Gothic Voice of Immortal Desire ›

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