
A Thought for the Road
“Curiosity is, in great and generous minds,
the first passion and the last.”
— Samuel Johnson
—
Curiosity does more than lead us somewhere new.
It keeps the familiar
from ever becoming entirely finished.
Short Stories and Latest Nooks
From the Shelves & Fresh Ink
What happens when sentences stop behaving? From fragments and repetition to stream of consciousness and missing punctuation, prose can bend the rules of writing to create rhythm, urgency, intimacy, and voice.
The Word Of The Day
/ˈræm.blɪŋ/ (UK and US)
Origin:
From ramble, a word of uncertain origin, possibly related to roam and influenced by Middle Dutch rammelen, associated with wandering about.
Definition:
Spreading irregularly in different directions, especially of a building or plant; also, describing speech or writing that wanders from subject to subject and lacks a clear structure.
Example:
“A rambling path wound between the cottages, gardens, and old stone walls.”
What Happened On This Day?

On this day — September 11, 1524 — Pierre de Ronsard was born at the Château de la Possonnière, near Couture-sur-Loir, France. He would become one of the central poets of the French Renaissance, the leading voice of the Pléiade, and the writer celebrated by contemporaries as the “Prince of Poets.” The title was grand, but so was the literary ambition behind his work: Ronsard belonged to a generation determined to prove that French could rival the prestige, expressive range, and poetic power of the classical languages.
With writers such as Joachim du Bellay, Ronsard drew extensively on Greek and Latin literature while experimenting with French vocabulary, metre, imagery, classical forms, and poetic genres. His Odes, Les Amours, sonnets, hymns, and political poems demonstrated that the vernacular could accommodate love, mythology, philosophy, nature, politics, mortality, and monumental praise. This was not simply imitation of antiquity. The Pléiade sought to enrich French by absorbing classical models and transforming them into something the language could claim as its own.
Ronsard’s direct place in the history of English is smaller than that of a writer working within English itself, but the movement he represented belonged to a broader Renaissance transformation that profoundly affected English literature as well: the elevation of the vernacular into a language capable of competing with Latin and the classics. English poets would pursue comparable ambitions as their own Renaissance developed. On this day, Ronsard reminds us that literary languages are not simply inherited at full strength. Writers enlarge them by demanding more from them. Ronsard did not simply write poetry in French; he helped French imagine what kind of poetic language it could become.
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