The Nook’s Chronicle




“Curiosity is, in great and generous minds,
the first passion and the last.”

— Samuel Johnson





  • The Bear and the Puddle




The Word Of The Day

Trauma

/ˈtrɔː.mə/ or /ˈtraʊ.mə/ (UK and US)

Origin:


From Greek trauma, meaning “wound” or “injury.”

Definition:


A serious physical injury; also, severe emotional shock or its lasting psychological effects.

Example:


“Recovery required attention to both the physical injury and the emotional trauma.”


Yesterday’s
Malady ›

Today’s
Trauma ›

The Other Day’s
Empathy ›

Step into the Word Nook ›



What Happened On This Day?

On September 30, 1927



The Novelist Who Made Society Speak Across the Divide


On this day — September 30, 1927 — W. S. Merwin was born in New York City. Raised in New Jersey and Pennsylvania as the son of a Presbyterian minister, he began writing hymns while still a child and would eventually become one of the most distinctive American poets of his generation. Across more than six decades, his poetry changed dramatically, but one concern remained remarkably constant: attention—to language, memory, absence, time, and the living world while it is still here.

Merwin’s early poetry was formally controlled and deeply engaged with literary tradition. As his work developed, however, the poems became increasingly spare: punctuation largely disappeared, lines grew lighter on the page, and silence itself seemed to participate in meaning. In collections such as The Lice, The Carrier of Ladders, and The Shadow of Sirius, this openness allows a sentence to move between memory, dream, observation, and meditation without conventional punctuation determining exactly where one thought ends and another begins. Poems such as For the Anniversary of My Death and The Last One show how his apparently simple English can hold mortality, environmental destruction, wonder, and loss without becoming rhetorically heavy.

That attention extended beyond poetry. After settling in Hawaii, Merwin spent decades restoring severely damaged land and planting thousands of palm trees, creating a living landscape alongside his literary work. His environmental commitments and his poetry increasingly became difficult to separate: both depended upon noticing what human beings overlook and recognising what may disappear before we understand its value. Merwin’s quietness was therefore never emptiness or withdrawal. He made quietness active. His poems often seem to listen as carefully as they speak—and ask whether we have been paying enough attention to hear what is vanishing.

A Bit Further Back…

Step into the History Nook ›




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